International Research Journal of Education and Technology

Superstition — often dismissed as irrational belief — has long been a potent force in human society. In literature, it transcends mere background detail to become a rich site of tension, symbolism, and cultural critique. From the ghost-ridden castles of Gothic fiction to the omens in Shakespearean tragedy, superstition functions not only as a plot device but also as a mirror to society’s fears, hopes, and ignorance. Literary representations of superstition often reflect the ideological, religious, and philosophical underpinnings of their time. This article explores how superstition is portrayed in classical, modern, and postcolonial literary works, drawing from a range of cultural traditions and authors including Shakespeare, Goethe, Nathaniel Hawthorne, Chinua Achebe, Gabriel García Márquez, and Toni Morrison. Through comparative analysis, it highlights how superstition serves as both an instrument of control and resistance, reason and irrationality, realism and myth.